Crazy Like A Desert Fox

Mostly artwork. Sometimes it's mine.
Updates sporadically.
hannahcarbons:


WTNV Tarot
TWO OF SWORDS - THE DEBATE
“Foremost, a suggestion that the subject is the agent of compromise. A diplomat keeping the peace. However, remaining neutral causes internal conflict and doubt. Difficulty in making decisions may result. It may prove valuable to join forces with a like minded person.”
The debate!  Pretty straight forward, really.  Also in the end Hiram and the Faceless Old Woman decide to conspire, so it fits.

This turned out way more complex than I expected, but I think it was worth it.


Click Here for the Masterpost of completed WTNV Tarot Cards so far!

hannahcarbons:

WTNV Tarot

TWO OF SWORDS - THE DEBATE

Foremost, a suggestion that the subject is the agent of compromise. A diplomat keeping the peace. However, remaining neutral causes internal conflict and doubt. Difficulty in making decisions may result. It may prove valuable to join forces with a like minded person.”

The debate!  Pretty straight forward, really.  Also in the end Hiram and the Faceless Old Woman decide to conspire, so it fits.
This turned out way more complex than I expected, but I think it was worth it.

(via thepageofhopes)

jedavu:

Creative Digital Paintings Blend Mechs Into Early 20th-Century Polish Villages

1920+ is a amazing collection of digital paintings created by Germany-based conceptual artist Jakub Różalski. In each piece, the artist produced a creative narrative of historical fiction. He used Photoshop to blend large, fictional walking war machines, or mechs, into rural climates from early 20th-century Polish villages.

(via werebrostrider)

blackrabbitsculpture:

Detail shots of my “Welcome to Inlé” sculpture, completed early July, 2014.

I realize I mentioned writing more about the piece when I posted these, but now I can’t for the life of me remember what it was I wanted to say.

Watership Down was one of the first novels I read as a child, probably at 10 or 12. I saw the animated film soon after, and it’s clear to me that both the book and the movie made an indelible impression on me. I reread the book every two or three years, and it hasn’t lost any of its power or impact. Most of all, I’m enthralled by the rich stories the rabbits share with one another throughout the novel. My love for mythology was certainly encouraged by reading WSD as a child.

Thanks for the wonderful response to this piece so far, you amazing folks!

Materials and dimensions and all that other good stuff can be found on the turnaround photoset that’s posted on my Tumblr, right below this post.

(via dragondicks)

artistsanimals:

Artist: Paul JouveFrom: Une Passion dans le Désert by Honoré de BalzacPublisher: Cottet-DumoulinDate: 1949Description (translated from French): “Paul Jouve, the largest wildlife artist of the twentieth century. A Passion in the Desert is one of fifteen large animal books illustrated by Paul Jouve. The book includes twelve boards lavishly engraved color - three double page - black board placed at the end of volume and an engraved black bandeau top of every page, following repeated eight models. Framed by a red line, the text is printed in “Montaigne Body 24”. “Source: Librairie Montés

artistsanimals:

Artist: Paul Jouve
From: Une Passion dans le Désert by Honoré de Balzac
Publisher: Cottet-Dumoulin
Date: 1949
Description (translated from French):Paul Jouve, the largest wildlife artist of the twentieth century. A Passion in the Desert is one of fifteen large animal books illustrated by Paul Jouve. The book includes twelve boards lavishly engraved color - three double page - black board placed at the end of volume and an engraved black bandeau top of every page, following repeated eight models. Framed by a red line, the text is printed in “Montaigne Body 24”.
Source: Librairie Mont
és

(via naturepunk)

asylum-art:

Daniel Merriam

If Hieronymus Bosch took the blue pill instead and sat down to a mad hatters tea party with Marie Antoinette, a hookah-smoking Caterpillar & a couple of unicorns you may just open the curtain into Daniel Merriam’s theatre fantastic. A Master American Surrealist painter, his worlds speak to those of us who adored the movie The Labyrinth and found ourselves asking, Why the hell wouldn’t she stay with the Goblin King? It’s firmly the territory of a child’s bubblegum mind.

(via jaynejezebelle)